Apr 15, 2013

[A Tribute to Ryunosuke Akutagawa & An Execise "From Michigan (21st Century Version)"] 芥川龍之介の文体模倣・練習 『ミシガンより(二十一世紀版)』

僕はその朝、目を覚ますが早いか滞在するホテルを出て、市街地の往来をはた目に、ミシガンの田舎の風景目がけてジョギングを開始したのであった。
僕の目に映ったものはいかにも亜米利加<<アメリカ>>らしい風物詩であった。辺りを支配するものは、たとい食料品店(グローサリ・ストーア)の中であれ、役所の待合であれ、保守的で善良に見える田舎者たちの佇まいに他ならなかった。

冬の終わりを告げる明るい空気を切って運動する僕の眼前に飛び込んだものは「彦根市」と綴られた標識であった。それは私のまぶたの裏に幻の映像として浮かんだのだった。

この日本の地名の唐突な出現に僕はフラッシュバックのような感覚を覚えない訳にはいかなかった。

その発見はたちまち僕に「ひこにゃん」という、あの奇怪な気ぐるみを僕に連想させたのだった。あの城跡に現れる白い大型の人形。無邪気で滑稽な気ぐるみの中で、油汗をかき、息も切れ切れの青年の苦しさを脳裏に写し出しながら・・・・・・。


僕はジョギングを終えたのち、ホテルの自室に到着するが早いか、すばやく机に向かい、執筆中の原稿に取り組んだ。その仕事は来週までに終えるべきものに違いなかった。

その作品は、友人夫婦との交際によって妻を裏切らざるを得なくなった男の悲痛な告白録だった。僕は三十分の間は恐るべき速度で執筆をした。が、運命の終わりを告げる何者かに押さえるかのように、たちまち書くことができなくなった。

「くたばってしまえ!」僕はそばにあった紙屑を壁に向かって投げつけた。そこに現れたのは一匹の鼠(ねずみ)であった。それは部屋の隅から隅へと一直線に走り、姿を消したのだった。僕は飛び上がり、別の戸棚に据え付けてあったベルを鳴らした。

ホテルの給仕(ボオイ)のノックがあったのは僕の呼び鈴を鳴らして、かれこれ二十分以上も経ったころだった。

「どうかいたしましたか?」
給仕(ボオイ)は米語で私に尋ねた。僕はつたない言いまわしで、鼠(ねずみ)が住み着いていることを説明した。給仕(ボオイ)はベッドの下をのぞきこんだり、棚のドーアを開けてみたりした。そして、私の顔を怪訝そうにのぞきこみながら、
「あなたの気のせいかもしれません」と言った。「しかし、念のため団子状の薬を撒いてみましょう。この薬は鼠のみならず、ゴキブリも人間も殺すに十分の能力を持っているのです」

僕は給仕(ボオイ)に礼を言った。彼は、白い歯を見せ、
「まずは様子を見ましょう。私の妻(さい)もこれに似たものをよく夕食に出すのですよ」
と亜米利加人らしい言葉を残して、部屋のドーアを閉めた。

浮かんだ明るい表情の奥に僕は「生活」の悲哀を感じないわけにはいかなかった。それは僕の心に、人生の痛みと諦めを連鎖させ、刻んだのに違いなかった・・・・・・。

僕は執筆の作業に疲労していた。しかも、そこに突然鳴り響いたのは、ミシガンに暮らすB君であった。彼は去年まで日本に生活していた二ヶ国語話者(バイリンガル)であった。彼は僕の姿を見つけるや否や、人懐っこい表情を浮かべ、右手を挙げて挨拶をした。

彼は十代の娘さんを助手席に乗せていた。
「冷凍菓子(アイス・クリイム)が食べたいと言って私についてきたのです」
とBさんは簡略に説明をした。

娘さんは日本語で僕に一言挨拶をした。英語で言うべきか日本語で言うべきか、僕は終始迷っていた。B君と娘さんは英語で会話をし、僕へ何かを言う時は二人とも必ず素早く日本語に切り替わるのであった。

僕はB君の車に乗り込み、Ann Arborの南側にある瓦斯ステイションへ向かった。そこには娘さんが買いたいと思っている冷凍菓子(アイス・クリイム)の在庫があるというのである。

「ありました。これです」と娘さんは僕に教えた。B君は良かった、と娘さんに英語で告げ、それから二言三言、さらに英語で言った。娘さんは何かを英語で応答し、僕の方を振り向き、日本語で、
「今日はこれだけです。私の父がガソリンを入れて参りたいと申しています。ですので、それが終わるまで店内で待ちましょう」と言った。

「差し支えありません」と僕が言うと、娘さんは、
「今回は、同じ品目を二つ購入いたしました。私の父は、私の冷凍菓子(アイス・クリイム)を秘密裏で食べてしまうのです。あの鼠(ねずみ)の団子も、父なら食べてしまいかねません」
と言い、十代の女性らしい笑い声をあげた。

僕は怪訝な顔で娘さんの顔を見上げた。「知っているのだ」と僕は思った。運命から逃れられないことを告げる警鐘が鳴らされるのを感じながら・・・・・・。

Mar 24, 2013

Michigan Views in March 2013

Picture taken by my daughter at 7:40 PM.

Here's the one taken at 7:00 AM on the 1st Monday after the daylight saving time began.

My daughter working on her homework.

                                   
Picture taken by my wife when heading for IKEA.

Picture taken by my wife when on the way to a restaurant.
 
From the balcony. I can see squirrels everywhere these days.

My wife made this juice for us to kick off the Saturday morning activities.
 

Feb 9, 2013

["Classical Music as the Greatest Luxury" - Impressive Book!] 最高に贅沢なクラシック(許光俊)

The book starts off with an episode of a Japanese student in Paris who made this statement in front of his friends. “All of those guys eating here at the university cafeteria will never understand the Marcel Proust.”

Proust, the author of “In Search of Lost Time” was from a wealthy family who never had to suffer from poverty or hunger. He himself was also a wealthy man, who was said to have spent a large amount of money in a single night. The author of the book “Classical Music as the Greatest Luxury” states that you wouldn’t understand Proust’s feeling if you are the type of person who gets filled up with the food you eat at a school cafeteria.

Mozart and Beethoven were said to be the type of people who, even in financial difficulties, kept leading luxurious lives.

The point here is “Don’t think everyone is equal. Don’t even think an art can be understood equally by every group of people.” The author states that this may lead to a misunderstanding but it is a truth anybody hesitates to say openly.

The author extendedly states Japan had to be luxurious people but far from truly appreciating classical music, such as Beethoven or Mozart. He even says something fundamental is missing in the music the Japanese create. Even NHK symphony sounds "fishy."

There were times when they were seemingly rich and luxurious, but it was not a true richness. The Roppongi Hills, the status symbol of the riches in that country, had not produced any more true riches than the huge waste of garbage. Nothing beautiful or precious had been created throughout the period.

The author decides to take off the country to travel to multiple cities of overseas.

Chapter 1: Hong Kong, China
The first place he chose is Hong Kong, where he sees the people, stores, streets, and concert halls. He concludes that the music was fishy because of the streets outside the hall that were filled with smells, humid air, and sweating people, whereas the concert hall was kept so clean without allowing any bugs, noise, or smells inside. He states “Brahms in Hong Kong” is as fishy as when you see an ad such as “Beethoven in Tokyo.” No matter how passionate they are about classical music, they are out of it.

I think I can understand what he is talking about. Although I have never been to Hong Kong or anywhere in China, as far as Japan is concerned, I don’t feel the people who push others and rush to the narrow gate of a train station would ever be able to understand Bruckner’s symphonies. The same is true with those who can’t wait to share a space or say a word or two in a shopping center or on the trains.

Chapter 2: Vienna, Austria
Vienna is one of the notable cities of music. If you are fond of classical music, the city of Vienna might come up to your mind in the first place. The author introduces Vienna as the place of double standards just like the both sides of a coin. He states there are always “praises” and “betrayals” in that city. Here in the city of Vienna he decides to speak English instead of German, since he thinks it should be more comfortable to be treated as an outsider. He wants to avoid any local frustration out there but just focus on music.

The author introduces the concert hall of Vienna Philharmonic Orchestra by explaining that the hall is not really good when it comes to terms with the sound effect. It may sometimes make a miraculous blend of sound when you least expect it, but he states it is not a product of what the designers had wanted.

The author then writes about Vienna Philharmonic Orchestra. He thinks this orchestra often doesn’t do its best to perform music. It is a very popular orchestra. You cannot get a ticket easily for their concert. They sometimes do poor performance. However, the author admits their music, like their concert hall, can be incredibly passionate and vivid when least expected. That music is what you could never be able to hear from other orchestras.

(TO BE CONTINUED)

Dec 30, 2012

【There Are Good Reasons To Fall Into DQN Names】DQNネームには理由(わけ)がある

It is said that baby names in Japan have increasingly become misguided. You have no clue how to read them in Kanji. Having inspected the tendency, I have come up with the following patterns when the parents will name their kids. They call them "DQN names."

(For those of who don't know what DQN names are, here is a brief reference on that. http://travel.cnn.com/tokyo/none/joy-and-pain-dqn-names-674680)

1. Traditional names are not preferred much, such as:
   Boys: 太郎 (Taro), 次郎 (Jiro), (Takeshi), 正和 (Masakazu), 幸雄 (Yukio)
   Girls: 花子 (Hanako), 良子 (Yoshiko), 美智子 (Michiko), 康子 (Yasuko), 真理子 (Mariko)

2. Names taken after anime characters have become more popular, such as:
   Boys: 天空 (Rapyuta), 織賀 (Olga), くれあ (Clair), 騎士 (Knight)
   Girls: 莉音 (Lyon), 瑠南 (Lunar)

天空 normally reads "Ten-kuu" and is translated as "sky". For some reason, this will be pronounced "Rapyuta" because there is a movie titled "Rapyuta - Castle in the Sky". Rapyuta, by the way, is the name of the main character in the movie, and the name doesn't associate with "The Sky" (天空, Tenkuu) except appearing in the title. This is almost like pronouncing "World" as "Garp" after having been inspired by the movie (novel) "World According to Garp."
 
Or it might be similar to write "Michael" and let you pronounce it "Moonwalk."

After having written this far, I have just come up with "Moonlight Graham" in the movie "The Field of Dreams."

It seems like Japanese attempt to make nicknames be the legal names to their babies. Imagine many of the kids in schools have "Moonlight Graham" kind of names. That's what's happening.

About 莉音 (Lyon), I sometimes heard Japanese moms calling their daughter's names at a restaurant. They were yelling out, "Lyon! Lyon! Hurry up! Somebody else will get the seat over there!" This name seems kind of popular to be a girl's name.

Also, there was a boy classmate named "Clair" in my daughter's old elementary school in Japan.

Olga is a Russian name for girls and Lyon a French name for boys, but in Japan they will be opposite. Olga would much more likely be a boy's name out there, and Lyon should be a name for girls. 

3. Some are not originally human names, such as:
    Boys: Koshien 甲子園 (a ball park's name)

4. Some names don’t sound so bad but are spelled misguidedly in Kanji, such as: 
    Boys: 夢叶 (pronounced "You-toe")
    Girls: 駈姒 (Kumi)

5. Some parents get the idea of using complicated Kanji, such as:
    Boys: 煌凄 (Kousei), 露魅央 (Romeo)
    Girls: 圭遼 (Keito, Kate), 栞緒 (Kanon)

For 煌凄, the Kanji has never been included in the Kanji required to learn in schools.

Let me get back to the Kanji above. About 圭遼 (Keito), most Japanese most likely read it "Kei Ryoh." Nobody would be able to read that name correctly.

With the school curriculums, the Kanji "遼" has NOT been taught to read "Ryoh."
This parents used "遼" and read "To" because it might have been listed on some dictionary or encyclopedia. - One of the features of Kanji is that many are read multiple ways, so parents are able to find a cool Kanji that will be fitting with the sound they like.

6. Names sounding cute or cool (which might be meant) such as:
    Boys: 吐夢 (Cosmo)
    Girls: (Ichigo, meaning "strawberry"), 春愛人 (It is read "Heart" but the Kanji laterally means the "lover in spring"), 兎鈴魅 ("Do-Le-Mi" as in musical notes)

With Cosmo, means "vomit" and "dream". normally is not read "Cos" (or Kosu), and will not be read "Mo".

7. Bad names:
There was a public dispute in Japan when some parents named their new-born baby "悪魔” (which reads "Akuma" meaning Devil).

The name was turned down at the official facility but the parents insisted that it has to be accepted despite the fact that it seems not good on the appearance.

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It is true however that many people don't like these parents naming their kids like that. They say that it looks so crazy and stupid. Many of those misguided names which cannot be read at the glance of them are said to be originated from uneducated, delinquent parents. Typically they take "misguided inspirations" by using wrong or improper (even immoral or ominous) Kanji for their babies.

But here is the truth. Seemingly misguided names are as old as history. If you go back a little bit to the past, there are even some famous or historical people who have this sort of name, or named their kids just like the parents I have introduced so far.

1. Take an example of Reona Esaki (江崎玲於奈, 1925- ), a Japanese physicist who shared the Nobel Prize in Physics in 1973. http://en.wikipedia.org/wiki/Leo_Esaki
 
His first name reminds me of "Leona," an English name for girls. And his Kanji cannot be read at the first glance. It looks just like the name of these days.

2. Ogai Mori (森鴎外, 1862-1922), a Japanese Army Surgeon, translator, novelist and poet named their sons 於菟 (Otto) and (Fritz). His wife was Japanese who was born, lived, and died in Japan. The Kanji used for these kids are not common to be person's names.
http://en.wikipedia.org/wiki/Mori_%C5%8Cgai

3. Nobunaga Oda (織田 信長, 15341582), the initiator of the unification of Japan under the shogunate in the late 16th century, named his children 大洞 (Oh-borah) and 小洞 (Coe-borah), which sound like “big lies” and “small lies” when you hear it.
http://en.wikipedia.org/wiki/Nobunaga

I will not mention if I like it or not. That is not my intention here. I just want to inspect what is going on, why this is happening, what that really means, and what the perspectives are.

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The reason for all this (the baby names issue), I assume, is just because every one of those parents want (or want their kids) to be different from others. Japan is a group-oriented culture, where you can't stand out and act (or think) differently. You have to hide and be like everyone else. Otherwise, you will be hammered down and won't be able to join the group. Being out of group means you are outcast and even considered "wrong". Decisions in the group tend to be more powerful and influential than the laws in their culture, which I guess is a big difference from the one in the West.

When you think about it, if you officially have a different stuff (such as names), you will automatically have a chance to be treated or looked differently. You don't have to try standing out by yourself. Anyone has a tendency to be different or special. You want to be the center of something, and don't want to be part of the sand in the beach. What would you have to do in order to come up with a solution? - That is the answer I have for the naming preferences in such an environment. - Like it or not, being "Passive-aggressive" can be the way to go. And this has always been true throughout their history. It is generically different from seeking "American Dreams" but they love watching the Hollywood movies or soap operas. They will get fascinated when Lady Gaga visits Japan. Some love to sing Beyoncé's songs at a karaoke place.

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I don't think Japan is a special case. There is nothing unique about it. (They want to think they are more unique and more different than the uniqueness of all the others, though.) I imagine a similar tendency can be observed in other countries. Of course, they don't have to use Kanji or anything to their babies. It wouldn't be just about your babies.
 
Interesting thing here is their preference has long been directed to America. It is even true now today. Many people want to mention their culture has been "Americanized" in many ways.
 
However, being "Americanized" does not mean to be "American." - That's the point.
 
When using the website or software, I come up with a pop up which lets me do my environment settings. I prefer selecting "International" or "Global" rather than "English (US)". - Whatever you choose out of it, it's English anyway. (I don't select "Japanese," by the way.)
 
Even more people or countries, I assume, will be "Americanized" in their own way using English. I have a friend from Indonesia who speaks fluent English. He has never lived in the U.S. or anything except a couple of weeks. He is currently working in Japan as a system engineer and his work environment is 100% Japanese. I made friends with him out there. We would have some talks over lunch.
 
I am kind of anticipating what the globalization trend may bring about. We all use English, but it's not American or British. I think it's an interesting picture. If you focus on the positive side, it could be more fun and exciting. It reminds me of connecting the foreign pieces and American stuff together by using English. - Hope this cultural perspective will help you think differently.

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[Additional Note:] The YouTube video I have put up on top seems very silly but I find it is meaningful in many ways. The Japanese in general have inferiority complex toward their English accent. That is why that short drama came out. I also notice the teacher touches or points at one of the student's body. This mat be seen quite commonly in Japanese schools, which people of the Western culture may feel uncomfortable. The teacher even exaggeratedly coughs, clears his throat, and spits out. In the end they all say, "Oh, my God." They perceive these words differently than how English speaking people do. I have seen kids in Japan who go up to a foreigner and stick up the middle finger to say, "Fakku yuu! Hahaha!" and run away. They don't really know what they are doing. They know it's not good to say to someone else, but they think it may sound "funny" to foreigners. This is seemingly rude and nasty but they do that only because they want to break the ice and overcome with their shyness. (Of course, this still is not a pleasant experience to face.)
 

Nov 15, 2012

Reflection Over a White Oak Leaf

Winter in Michigan is really cold. It is colder than Tokyo when the temperature hits the lowest of the year. But it is very much pleasant to live here. Every time I drive a car in the morning or in the afternoon, I feel some sort of joy coming up from inside. This is also true when speaking with a shop clerk or someone in your neighbor. This is the same feeling as I have had when I listen to the last movement of Beethoven's 6th Symphony, where people in a rural place becomes so grateful for the sun to reappear after the storm was gone.

One of my good friends in Japan who has lived there for a long time asked me to send a white oak leaf. He spent his boyhood years in Ann Arbor and said a white oak leaf would carry good memories going back to his good old days. I went outside during lunch time in order to take some pictures of the apartment complex. I found oak leaves there when I quickly thought of this friend in Japan. I collected some leaves and put them in my car. It brought me to a silent joy as I was doing that.

"You can tell a White Oak because the tips of the leaves are rounded, like a bullet. Red Oak have pointed tips on the leaves, like the tips of an arrow. That's how we learned the difference." He explained to me.

This sort of friendship will not be limited to my private life. I even have a chance to speak with a guy I worked with in Japan over the telephone. We still work together via e-mail. It is thankful that I am able to do that, even though I have changed the company I work for.

When it comes to term with convenience, Japan should be so much better. However, it is interesting, at the same time, to be realized that there is no other country has obtained a higher standard of living than Japan with respect to the social system, infrastructure or customer services, but it is one of the worst places in some sense, where people are incapable of being connected with others. This is not a question of good or bad, but just whether you like it or not.

I personally think that if their demanding service quality are exported to other countries, it would make both Japanese and other nation become happier together.


Nov 10, 2012

The 21st Century Drama

21st century is pretty much different from the 20th or even before that era in that we are working for the same goal. I let go of my imagination and was feeling this way. If the world will come to an end some day, it would happen not because of a war or disaster but because of reaching to the point where people have finally settled down to a certain conclusion after all those striffles and conflicts. There would be pains, exhaustion, honesty, perfect forgiveness, and convinction for hope. If all these things are shared among all of the people on earth regardless of race and sex, then what would be left?

I liked this You Tube video I watched tonight. This appealed to me so strongly specially because it is understandable that one of the episodes in the video really can happen (although it is rare) where a clerk at cafeteria treats an Asian individual as if he were transparent or invisible. One of the participants shares his experience at around 23:45, where he (Asian American) was ignored by a shop clerk in the restaurant, and another person making a line on his back was served first in the restaurant. Each one has many things to say. The status quo of problem sharing across the border and race reminds me of the current trend of global business.


Oct 26, 2012

Soseki Natsume 夏目漱石

Soseki Natsume. - For no particular reason, I often think of this author who died in 1916. The first encouter with his work was when I happened to read "Kokoro" by chance in my teens. I remember the book was secured by a thick paper box, and the Japanese letters used were old fashioned. This literary work published in 1914 gave some dull shock to my mind.

Some books can remain in your head a long time especially when you read them in your vulnerable years. Even if you think you have got much older and are not that sensitive anymore, the dull shock you once had can be retrieved inside of you to let you feel something more out of it.

The story is told by a student (the narrator) who start describing who Sensei was.

"It was at Kamakura, during the summer holidays, that I first met Sensei. I was then a very young student. I went there at the insistence of a friend of mine, who had gone to Kamakura to swim."

The narrator keeps an eye on this (presumably) middle-aged man who he doesn't really know of.

"Sensei had just taken his clothes off and was about to go for a swim when I first laid eyes on him in the tea house. I had already had my swim, and was letting the wind blow gently on my wet body. Between us, there were numerous black heads moving about. I was in a relaxed frame of mind, and there was such a crowd on the beach that I should never have noticed him had he not been accompanied by a Westerner."

Why does he do that? Does he like guys? - I doubt it.
It might be understandable if you start thinking that people of similar social backgrounds with no specific religious orientation can be lead to this tendency, when they have to identify themselves.

This story consistently describes this middled-aged guy, who is never a super hero or anything but just a mediocre individual with a negative mindset. Why this guy? Why this author wants to pick up this person? Why this story has been read for 100 years? What's in it, anyway?

I think this is because the readers have a desire to be different from others, or want to find what is so special about themselves through tracing the descriptions. It appears to be written about somebody, but the focus is on the readers themselves in order to be satisfied to deeply know that this mediocre passive fellow is an extraordinary individual in disguise.

Also, it is interesting to find that people of 1914 (including Soseki) thought of "Westerners" as frightening creatures as well as gorgeous celebrities. It might have something to do with how the Japanese today would think of "Westerners".

"The Westerner, with his extremely pale skin, had already attracted my attention when I approached the tea house. He was standing with folded arms, facing the sea; carelessly thrown down on the stool by his side was a Japanese summer dress which he had been wearing. He had on him only a pair of drawers such as we were accustomed to wear. I found this particularly strange. Two days previously I had gone to Yuigahama and, sitting on top of a small dune close to the rear entrance of a Western-style hotel, I had whiled away the time watching the Westerners bathe. All of them had their torsos, arms, and thighs well-covered. The women especially seemed overly modest. Most of them were wearing brightly colored rubber caps which could be seen bobbing conspicuously amongst the waves. After having observed such a scene, it was natural that I should think this Westerner, who stood so lightly clad in our midst, quite extraordinary."

"As I watched, he turned his head to the side and spoke a few words to a Japanese, who happened to be bending down to pick up a small towel which he had dropped on the sand. The Japanese then tied the towel around his head, and immediately began to walk towards the sea. This man was Sensei."

Reading up until this far, I feel the main character should be "I" the narrator, which most likely means the reader. - When I think about it, the dull feelings I had from this book in my teenage days might have been a process to recognize I was one in-dividual. If you replace this "self" with "your own country" or "nation", that would explain why many people (including myself) have a desire to mention different countries.